“...the pure-toned [mezzo-]soprano Clare McNamara, ...who sings the Hildegard von Bingen chant as an unaccompanied solo, is as good as they come. '
~Nigel Harris, MusicWeb International
“This is pathbreaking. (...) They have two women new to the group, Sonja DuToit Tengblad and Clare McNamara, both with astonishing voice-ranges and ranges of articulation. '
~David Fallows, Gramophone (Editor's Choice)
“Our favorite track is "Die Weihnachtsgeschichte, Op. 10: Es ist ein Ros entsprungen, Var. 3” (feat. Clare McNamara). McNamara’s voice is angelic, the ensemble is seamless in their support of her solo line. '
~Amity Hereweard, Chalked Up Reviews
“Mezzo-soprano Clare MacNamara’s [sic] rich timbre and expressive phrasing made her duet with Yanovitch the vocal highlight of the second half. '
~Laura Stanfield Prichard, The Boston Musical Intelligencer
“Vocal soloists in the mass included baritone Peter Walker, who sang a rich and robust “Gratias agimus tibi,” Yanovitch and mezzo-soprano Clare McNamara,” whose voices combined for a golden blend in the “Domine Deus,” and Sheehan, who sang the “Quoniam tu solus sanctus” with tenderness and grace. '
~Aaron Keebaugh, Boston Classical Review
~Nigel Harris, MusicWeb International
“This is pathbreaking. (...) They have two women new to the group, Sonja DuToit Tengblad and Clare McNamara, both with astonishing voice-ranges and ranges of articulation. '
~David Fallows, Gramophone (Editor's Choice)
“Our favorite track is "Die Weihnachtsgeschichte, Op. 10: Es ist ein Ros entsprungen, Var. 3” (feat. Clare McNamara). McNamara’s voice is angelic, the ensemble is seamless in their support of her solo line. '
~Amity Hereweard, Chalked Up Reviews
“Mezzo-soprano Clare MacNamara’s [sic] rich timbre and expressive phrasing made her duet with Yanovitch the vocal highlight of the second half. '
~Laura Stanfield Prichard, The Boston Musical Intelligencer
“Vocal soloists in the mass included baritone Peter Walker, who sang a rich and robust “Gratias agimus tibi,” Yanovitch and mezzo-soprano Clare McNamara,” whose voices combined for a golden blend in the “Domine Deus,” and Sheehan, who sang the “Quoniam tu solus sanctus” with tenderness and grace. '
~Aaron Keebaugh, Boston Classical Review
